Author: cdevelin

Wakarusa Music Festival Tickets On Sale Fri, Nov 7

Wakarusa Music Festival Tickets On Sale Fri, Nov 7

Super Early Bird tickets to Wakarusa Music Festival will go on sale Friday, November 7 at 10:00 AM CST. The multi-day camping and music festival will take place June 4-7, 2015 on the majestic Mulberry Mountain near Ozark, Arkansas.

2015 will mark Wakarusa’s 12th year, and seventh consecutive year of Wakarusa at the majestic Mulberry Mountain location. The music and camping event will feature four days of music on six stages, showcasing 150 musical acts and nearly 200 sets of music.

Wakarusa Music Festival features multiple genres of music from emerging bands to national headlining acts, complimented by the lush scenery of the Ozark National Forest, art installations, yoga and much more.

Full Event Passes, as well as Camping, RV Unreserved, VIP Passes and Early Bird Passes will go on sale November 7, 2014 at 10:00 AM CST. The 2015 artist lineup will be released in January 2015. For more information visit the official Wakarusa website:

Rebecca Venkauskas

Something to Rave about: Lifecycle

Something to Rave about: Lifecycle

Drunken Mermaid was introduced to Lifecycle – one of the most unique bands we’ve ever covered – by Andrea at Blue Soap Music. They need to be heard to be explained, so we’re going to cut to the chase without trying to evoke images of multi-level dance clubs in Piccadilly on a Saturday night where the water is shut off and you’ve just…

[youtube] You started off as an electronic act – how did this end up developing into a live band?

Lifecycle: Yeah, in the ‘noughties’ we released quite a few dance 12”s, experimental breakbeat records on some interesting labels – Electrofly was one, and LondonBreakz released our dirtier stuff. It was an exciting time for electronic music – 90s rave had mutated into all these crazy little scenes … and breakbeats have a timeless, crunchy quality that is quite addictive. The three of us all have our roots in rave culture, but there’s something you get with a full band jamming that’s really different from a laptop or DJ set. Fusing that stuff together is a challenge … Who influenced the current Lifecycle sound and inspired you to play live dance music?

Lifecycle: Our sound is quite a mongrel … we’re hoping to weave enough influences together that it’s impossible to tell what came from where. There were moments back in time – when rock was truly psychedelic, breakbeats were gnarly, before jungle got bombastic, before electronica became safe – that really got us excited. Lots of live dance bands leave a strange aftertaste in the ears, I guess it’s the ones we see on the festival circuit who aren’t doing much that isn’t predetermined / pre-recorded, which make us want to get up and do something more risky … What song do you wish you’d written? How would it sound as performed by you?

Lifecycle: Cover versions are delicate beasts. We take ourselves far too seriously so an ironic version of some rancid eighties pop wouldn’t feel right … we’d probably end up butchering a classic, trying and failing to improve on a classic melody with our egos in tatters. They say The Beatles maybe ‘invented’ breakbeat with Tomorrow Never Knows – maybe we could do an extended stoner rock version of that? I have a happy hardcore Hey Jude kicking around somewhere which is ace … What direction is the Lifecycle sound going to take next?

Lifecycle: We holed up for a few weeks this summer in a remote corner of Spain (with no internet) and finished a big batch of new tunes, which are set to form the core of our second album. Lino Cosmos has our rock influence quite upfront, whereas this new stuff is a little deeper. There are still big grooves and subbass throbbing away down at the depths, but the guitars are more ambient playing tuned feedback and less chugging riffs. Things are getting darker and a little hypnotic … What are your best and worst experiences to date?

Lifecycle: We had the pleasure earlier this year of going out on tour supporting the godfather of psychedelia Arthur Brown, which was certainly a high point of our lives to date. High being the operative word. He was one of the first guys to replace his drummer with a drum machine back in the early 70s – so no stranger to fusing technology into his rock. Our sound went surprisingly well with his! A low point was probably the first show on that same tour, when the valves in our guitar amp blew during soundcheck. Sourcing a set of EL84s in the middle of Kendal was a challenge … Tell us a little about your label Ricochet Records – and who is putting out your album Lino Cosmos?

Lifecycle: We set up Ricochet back in 2007, as the labels we were working with no longer wanted to put out anything on vinyl, because everyone was losing so much money! After putting out half a dozen 12”s ourselves, we also had to bite the bullet and have been a digital label ever since … still with a quality over quantity policy. We’re pushing some fresh new artists: a guy Kawatin out in Japan, Berlin techno wizard Michael Lovatt, and minimal geniuses Multiple Mono in New York, all doing great work right now. Ricochet has built its own style over the years, so we’ve taken the band instead to Supersymmetry to release the Lino Cosmos LP. It’s very much an independent affair … we do have a booking agent and some contacts helping us spread the word, but we’re focused on keeping creative control, doing our thing and trying to avoid getting homogenised in the electronica meat-mincer … What would you like your listeners to know about you?

Lifecycle: Hopefully listening to us perform will give people an idea who we are and what we’re about. We don’t airbrush things in the studio, and only release videos of us playing live – no music promos or mimed performances. What you see is what you get, warts n’all … Tell us about your live gigs. What is it like to see you perform in the flesh?

Lifecycle: Despite the heavy electronic influences, we really are a live band. Really. Proper live. Studio recordings are one thing, but if people like what they hear they should really come check us bashing it out on stage. We pass our instruments through a laptop and I have a custom controller on my guitar strap to modulate psychedelics into the sound … it’s all done live, jammed and fresh each time … kinda hard to describe. Come see us on tour this winter and we will let the music do the talking …

That’s a deal. You can get more Lifecycle on twitter and facebook, and check out their video for The Big Picture on our facebook page.

Redanda gives you Reverse Tranny Club

Redanda gives you Reverse Tranny Club

Redanda comes to you from Hamilton, Ontario – same great country as house favorites Brother Octopus. They’ve recently released Reverse Tranny Club…give it a listen on Bandcamp. Tell us about yourselves – how did Redanda happen?

Corey: We formed by the fated occurrence of three lads from three different cities attending the same high school. Oh, and one had a younger brother. The rest is history. The name I suppose comes from the lack ability to think of anything clever, only gibberish came out. This band consists of a drummer (Curt), and bassist (Connor), two guitarists (Chris and myself, Corey). I also sing. What is your favorite original song or album to date? Why?

Corey: Of ours? Currently an unreleased one called Full Flux, because it was created spontaneously one morning jam session, when I in particular was very hungover and didn’t feel like playing guitar so I attempted to sing delta blues/muddy waters type vibe over the other threes gnarley riffage. The result is our latest closing song for our live gigs. There’s a wicked drum beat, powerful guitar, and stellar bass. I added harmonica to complete the blues effect. Nothing about the song is blues, though come to think of it…Come check it out. Who are your major influences? What do you take from them? What do you add or do differently?

Corey: Various musical artists, poets, singers, philosophers, activities. I think one can either be literally inspired by something and attempt to use it, modify it, or represent it. Or you can be inspired in a way you do not consciously realize, but it happens. I guess I like the combo. What song do you wish you’d written? How would it sound as performed by you?

Corey: The oldest song in the world. We would convert it into rock & roll, for sure. What does the future hold – is there a particular direction you’d like to take your music?

Corey: We have certain ideas about direction, mainly in the recording area. Our music itself generally takes on a life of its own. We try not to attempt to create a song that sounds too much like something. That being said, we are listening to more music, taking it in, adding it to our mix, and our latest direction which I would venture to describe as a combination between dream pop, garage, and delta blues, is very exciting. That’s subject to change… What are your best and worst experiences to date?

Being born. What would you like your fans/audience to know about you?

Tales and myths. Tell us about your live gigs. What is it like to see you perform in the flesh?

As of late we’ve been cooking up a fire at shows, our latest endeavors are exciting us and we’ve melded together as a live act quite nicely. There’s laughter, some sweat, some jokes, rock & roll that’s not loose, but not too tight either. Just the way we like it. Where can we see you in the near future? 

Hamilton/Toronto most likely. We’re working up some November gigging, so follow our Bandcamp/facebook


The Floozies Announce Do Your Thing Winter Tour

The Floozies Announce Do Your Thing Winter Tour

This in from Rebecca at Pipeline Productions:

The Floozies Announce Do Your Thing Winter Tour 

As The Floozies are about embark on their Fantastic Love Fall Tour, the electronic-funk duo just announced yet another action-packed slew of dates for their Do Your Thing Winter Tour. The tour will start in Omaha, NE at the end of January and will continue West where the band will play 10 dates at numerous notable venues along the way including, The Ogden Theatre in Denver, The Roxy in Los Angeles, The Independent in San Francisco and The Crocodile in Seattle, to name a few. The brothers will then return to the Midwest where they continue the second leg of their winter tour in Columbia, MO, two-nights at The Majestic Theatre in Madison and many more before they close out the tour in their hometown, Lawrence, KS at The Granada Theater.

Joining The Floozies on their West Coast tour will be Minnesota native and EDM producer, Manic Focus and multi-instrumentalist and fabricator Russ Liquid on the Midwest tour.

The Floozies recently released a single, Fantastic Love from their forthcoming album, set to be released in 2015 by GRiZ’s label, Liberated Music. premiered the song and described, “the song packs their signature brand of live funk energy with the perfect electro twist. The song will have you moving right from the beginning and will keep you entertained throughout.”

For ticketing information and all other information on The Floozies please visit their website:


Do Your Thing Tour Dates:

1/30/2015- Waiting Room- Omaha, NE
1/31/2015- Ogden Theatre- Denver, CO
2/3/2015- Last Exit- Phoenix, AZ
2/4/2015- Stage Bar- San Diego, CA
2/5/2015- The Roxy Theatre- West Hollywood, CA
2/6/2015- Crystal Bay Club- Crystal Bay, NV
2/7/2015- The Independent- San Francisco, CA
2/10/2015- Cozmic- Eugene, OR
2/11/2015- Branx- Portland, OR
2/12/2015- The Crocodile- Seattle, WA
2/14/2015- The Palace- Missoula, MT
2/15/2015- Urban Lounge- Salt Lake City, UT
2/18/2015- The Blue Note- Columbia, MO
2/19/2015- Majestic Theatre- Madison, WI
2/20/2015- Majestic Theatre- Madison, WI
2/26/2015- The Canopy Club- Urbana, IL
2/27/2015- The Intersection- Grand Rapids, MI
2/28/2015- Concord Music Hall- Chicago, IL
3/1/2015- The Magic Stick- Detroit, MI
3/4/2015- Cosmic Charlie’s- Lexington, KY
3/5/2015- Diamond Pub & Billards Concert Hall- Louisville, KY
3/6/2015- 2720 Cherokee- St. Louis, MO
3/7/2015- Granada Theatre- Lawrence, KS

Rebecca Venkauskas


Gordon Duthie releases Thran

Gordon Duthie releases Thran

Drunken Mermaid’s commitment to bringing you the best newcomers alongside established talent is alive and well, and no better showcased then by Gordon Duthie, who released his third studio album  – Thran – on October 25. Here’s a sample from his 2012 release. This is Hide

[youtube] Tell us about yourself – how did you get into playing music?

Gordon: I have always been interested in playing and listening to music. This has evolved over time from hitting drums (or pans, pillows or other imaginary instruments), to learning the keyboard, then guitar and so on. In 2008 I began learning how to produce music and since then I have released two albums – “Shire and City” (2012) and “Multimedia Monster” (2013) – with a third coming in October 2014 called “Thran”. What is your favorite original song or album to date? Why?

Gordon: Too many to choose from, I like a wide variety of music, I have a pretty open mind about listening to different things. The only rule I really have is that I don’t listen to anything that I believe has been created for financial rather than artistic reasons. Although some of those songs can be pretty catchy, actually I’m not going to lie, my Spotify playlist has a few of those. Who are your major influences? What do you take from them? What do you add or do differently?

Gordon: Again, too many to choose from and I don’t really try to be anyone else, one review of my last album said that the sound was familiar yet different, which I thought was a great compliment. What song do you wish you’d written? How would it sound as performed by you?

Gordon: I don’t think there is any point wishing you had written something. Most songs are personal or came from something only the writer could have thought of at that particular time. In my opinion a writer should be trying to add to the creative landscape with their own work and if it resonates with someone else, then great. What does the future hold – is there a particular direction you’d like to take your music?

Gordon: The only thing I want to do is continually get better with both writing and production. I think I have achieved that so far, but there is still a lot more to come I think. I also want to extend my writing to other creative forms and not just be inhibited by songwriting. What are your best and worst experiences to date?

Gordon: Best – Listening to a song I produced.  Worst – Listening to a song I produced…. Where can we see you in the near future?

In that parallel universe, where an independent Scotland exists.

Hannah Judson and Zeb Achonu launch MUSEFest

Hannah Judson and Zeb Achonu launch MUSEFest

Drunken Mermaid has been itching to get a feature on Hannah Judson onto the site, and with the arrival of MUSEFest, the perfect opportunity has presented itself… How did MUSEFest come to be?

Hannah: MUSEfest came out of a conversation with Zeb Achonu, about women who become mothers while continuing to produce and perform. Zeb had created a Facebook group for mothers in bands, and we decided we should make a music festival for the group. We began thinking about artists who have inspired us personally to create and continue doing our thing, throughout the arch of our lives, not just right now. We realized that the festival mission needed to expand to women who inspire other women, including but not limited to mothers. We both have varied taste in music, and the festival is not focused on a particular style, but more on intensity, polish, and strength of message and performance.

Zeb: The Mothers Make Music Facebook group had come about from me finding a statistic saying that “The PRS for Music membership (writers and music creators) is currently only 14% women” (statistic from PRS for Music). That’s a shocking statistic, really. Why are there so few women writing and creating? And of that how many of them are mothers, which is just one of many varied reasons that women become less available to create music. Along with the usual conversations about a male dominated music business, it became even more important to celebrate and encourage women who do create music and are working in the music industry. Who are the performers? What can you tell us about them?

Hannah: The headlining performer is Miss Baby Sol, from London. She is a powerhouse, smart and beautiful, taps into historical music moments, and reworks it to make it completely her own. She also has a message to listen to. She is known for her past work with J’nay, Paloma Faith, and Amy Winehouse, but it’s her present work that we should be talking about. Her work is tinged with soul, jazz and reggae, and is completely, currently, her own.

Here’s a taste of Miss Baby Sol:


Hannah: Also performing is Ösp Eldjárn, and Icelandic singer/songwriter. She is great! She grew up performing with her family in a traditional folk musical act, and then with brothers and friends in folk/Americana/blue grass lineup before moving to London. Her work is inspired by the vocals of Ella Fitzgerald, the stories of Joni Mitchell. Now she is writing and performing her own etherial and atmospheric folk.

A few others will be performing that night, including me. My work is alternative folk, with sometimes sultry and very original lyrics. The texts are subtle, evocative and tell stories influenced from both sides of the Atlantic. I work with one foot rooted in folk storytelling tradition like Leonard Cohen or Bob Dylan. My vocals have been compared with Suzanne Vega, Elliott Smith, and Cat Power.

For those of you who don’t know Hannah, she’s like the distilled essence of XPN out of Philly:


Hannah: There will also be an art exhibition before the show, a speaker, various exhibitors and the evening concludes with a DJ. It will be a full, fun evening. What have been your biggest obstacles to making MUSEFest happen?

Hannah: Getting started has not being easy, as we are building this on an extremely limited budget, across time zones, with no history to show as we are speaking with potential partners and performers. The thing that has kept us going is how much enthusiasm we have received from artists and supporters a like, for this festival. The theme really strikes a chord, is positive and is all about moving forward, remaining in dialogue and of course entertaining those who like the music! What do you see it becoming in the future? Where would you like to take it?

Hannah: We will be producing the next MUSEfest in Paris in the spring of 2015. The second edition is beginning to take form already and looks like it will be a bit larger in scope. After that, New York or Chicago are the next logical steps, but we will always loop back around to London.

Zeb: I’d like to see MUSEfest become a major contributor to increasing the visibility of women making music, something that sparks conversation and encourages women working in and around music to continue doing so, and others to restart, or begin. Tell us about yourself – what got you into music? When did you begin to perform?

Hannah: I lived in Spain for a few years after university, studied classical guitar, and began writing songs then. When I moved to Chicago, I immediately got an electric guitar, amp and pulled a band together. I have had bands or musical projects ever since. My creative influences are varied, and my work has been deeply influenced by Lou Reed, Joan Baez, Leonard Cohen, Laurie Anderson, Liz Phair to name a few, but also artists, writers and designers too… Frida Kahlo, Louise Bourgeois, Douglas Kennedy, Frank Gehry. When something shakes you from the feet up, there’s something there, its part of the conversation. It doesn’t matter the medium.

Zeb: I grew up knowing I wanted to sing and make music. There was always a wide variety of music playing in my home as a child; reggae, folk, rhythm & blues, hi-life, soul divas, classical… and when I could choose, I got into indie and rock, before finding hip hop and trip hop. I joined a few bands, specifically the live set up of Euphonic, who I toured Europe with in my early 20s, then when that ended I started working on a solo project with Euphonic producer Rob Henry, put together my own band and started playing gigs in and around London.  When I moved to Paris in 2009, I started the Paris branch of internet music show, Balcony TV, and spent all my time promoting other artists. I really missed making my own music and working with my guitarist Oli Thompson. I moved back to London and started doing a few acoustic shows, joined a choir, just found pleasure in singing again. Having my son forced me to take some time out and consider what I wanted to do next. So, happily, I’m now back making music, actually working mostly with a producer I know in Paris, but really enjoying being both a mother and a musician and finding the balance and synergy in those two things. I’m not saying it isn’t exhausting though! Tell us about the charity White Ribbon Alliance.

Hannah: A percentage of proceeds of the event will go to the White Ribbon Alliance. They are an amazingly effective organization with the basic goal of healthy birth for all women and children, everywhere. Much of their work is focused in Africa and Asia, but the overarching goal is to bring education, resources, systems and care to people who need it most. This charity is so well run, with a profoundly low overhead. We are going to show some videos from their work at the event as well. Childbirth is such a fundamental topic. Everybody either is a mother, or has one. We should take care of mothers! Who are your major influences? What do you take from them? What do you add or do differently?

Zeb: The obvious, corniest, but truest answer is my Mum. She is always on the go, starting new exciting projects, encouraging others to do the same and finding herself frustrated at her own or others’ missed opportunities. I remember doing gigs with very few people in the audience and really not feeling like dressing up and giving it my all, and she would remind me that those people came, they deserve the best you can give. And she is right. So on goes the face, and the sparkle, because you just never know who or what may come of it. Musically, there are many influences; Ella Fitzgerald for her voice, Madonna for her business savvy and performance, PJ Harvey for her incredible music and ability to reinvent but stay true to her own sound, Jill Scott, for her consistently incredible vocals and songs, and for me, Martina Topley-Bird. When I first heard her voice on a Tricky track I was mesmerised. Here was a young, mixed race woman, singing in a somewhat bluesy manner, but with a very modern edge, over electronic, sample based beats… it was combining everything I was into at the time, still am, and it was like I was being told “yes it’s true, you can make the music you feel”. That was huge for me. What are your best and worst experiences to date?

Zeb: I have been lucky enough to play in some amazing places, but it was Malawi, at the Lake of Stars festival that I have my fondest memories. I travelled through parts of Africa with a bunch of musicians and DJs I hadn’t known before and loved every minute, partying wherever we stopped. All the way to the festival. Which was great because everyone was so supportive and made sure that we all caught each other’s sets and there was a genuine good music good people vibe about the whole thing. Worst experiences…? Oh gosh, I’m sure there are many but I try to blank them out! How can we get more information about the festival?

Saturday Nov. 29, 2014
Hackney Attic
270 Mare St
+44 871 902 5734
Buy tickets here.

EOTO Outer Orbit Tour

EOTO Outer Orbit Tour

Drunken Mermaid will be interviewing EOTO live on Friday, December 5 courtesy our friends at Tsunami. Here’s their press release:

EOTO is kicking off the second leg of their Outer Orbit Tour on Nov 21st.

With over 600 live shows under their belt, EOTO’s unique live approach to EDM has allowed them the freedom to perform with drummers of Stomp, members of String Cheese Incident, members of Umphrey’s McGee, Stanley Jordan, Dominic Lali (Big Gigantic), David Satori & Sidecar Tommy (Beats Antique), Billy Kreutzman, Vinx, Toni Childs, Karsh Kale, Jamie Janover, Steve Kimock, Jamie Shields (New Deal), and Adam Deitch (Lettuce) just to name a few.

EOTO has recieved dozens of awards and accolades for their live production including “Best Live Dubstep” at the Dubstep Awards in 2012, “Top 50 bands to see live” and most recently voted “Best Late Night Show” at III Point Festival in New York City, by Societe Perrier.

EOTO is the rhythm section for the underground sensation, String Cheese Incident. While they don’t like to talk about SCI in this configuration, this is a band who has performed with such legendary talent as James Brown and have performed in front of hundreds of stadium sized audiences and sold out crowds. Their talent is undeniable.

Not just a haphazard foray into experimental EDM music, the duo starts their musical adventure from scratch (there are no pre-recorded loops, no backing tracks, and no pre-constructed songs in their live production) building each set, note-by-note, beat by beat, live before the audience as each show explodes into a full-scale dance party. EOTO just announced new additions to their award winning light show and visuals as part of the fall tour.


31-Oct Suwannee Hulaween 2014 Live Oak, FL
20-Nov The Westcott Theater Syracuse, NY
21-Nov Stage 48 New York, NY
22-Nov Town Ballroom Buffalo, NY
28-Nov Winstons San Diego, CA
29-Nov El Rey Theatre Los Angeles, CA
4-Dec Arcata Theater Lounge Arcata, CA
5-Dec The Independent San Francisco, CA
6-Dec Cargo Reno, NV
10-Dec Parish Austin, TX
11-Dec The Conservatory Oklahoma City, OK
12-Dec Granada Theater Lawrence, KS
13-Dec Ogden Theatre Denver, CO

Oh Brother (Octopus), where art thou? Celebrating the release of Sea of Champions

Oh Brother (Octopus), where art thou? Celebrating the release of Sea of Champions

With great pleasure, Drunken Mermaid gives you the triumphant return of Brother Octopus! After two years in the making, Sea of Champions is here! 17 tracks, each recorded in a different studio in Edmonton, Alberta. Fresh off their release celebration at the Mercury Room with Locomotive Ghost we have the promo video for you:

You get the picture: awesome band in an awesome city results in an awesome album. Look for tracks from Sea of Champions to make steady gains on alt radio on both sides of that other pond, the one we tend to manifest in. And follow them on Facebook and Twitter.

Coming up: Absynth Quintet, Gordon Duthie, Alec Morrison, Red Anda, the amazing MUSEFest and…dare we say it?…Tony Bruno!

Ashea knows what you're thinking, and then some….

Ashea knows what you're thinking, and then some….

Last week we brought you Basheba, and we are on a roll thanks to our friends at Space Promotions – this week we have the stunningly beautiful Ashea whose debut single is one big infectious tease of the kind we can’t get enough of…this is Watcha Thinkin’ Tell us a little about yourself – how did you get into performing?

Ashea: I´m a solo artist so I have the fortune of being able to write and produce my own material, which is great as I love being creative and spilling my thoughts and feelings out into the tracks. I´ve been surrounded by music all my life, my family are very showbiz, there´s always music, singing and dancing happening every day of the week, so it wasn’t really a conscious decision for me, I just couldn’t imagine doing anything else in life. After graduating from Theatre School and working for Disney, I decided to take some time out to focus on my songwriting, and I taught myself to produce watching YouTube videos (which was a grueling process but well worth it). What is your favorite original song to date? Why?

Ashea: I´m passionate about all of my tracks, for me that’s really important. When I write I need to be excited about what I´m doing or it just doesn´t happen. Saying that, my 3rd single is quite different from the previous stuff that I´ve written and we´ve come up with an awesome idea for the music video, so I´m really looking forward to showing you all. Who are your major influences? What do you take from them?

Ashea: Gwen Stefani, Nelly Furtado, Kerri Hilson and Jamelia are my biggest influences, I don’t tend to consciously reference them in my tracks, I think its more a question of loving their music/style so much that it just comes out in my writing and the way I sing/dance. In terms of producers, my biggest are Jay-Z / Stargate and Will. I. Am, they are what I call commercial geniuses. What song do you wish you’d written? How would it sound as performed by you?

Ashea: ´ I Will Never Let You Down´ by Calvin Harris, Feat. Rita Ora, I love singing along to it, and it works perfectly with my voice – As for how its sounds- I’m thinking of doing an acoustic cover so watch this space….. What does the future hold – is there a particular direction you’d like to take your music?

Ashea: I love writing Pop music, so I am staying true to myself and my audience by starting as I mean to go on. Obviously, experience plays a big role in what you choose to write about, so hopefully the journey will only get crazier….. What are your best and worst experiences to date?

Ashea: My worst experience was probably doing a 12 hour shoot in a Warehouse, mid winter with no heating and being very scantily clad. Somehow I got through it and managed to give it all I had, but I tell you, it was tough, but I did have a really kind kid running up to me with my coat in between takes…

Best experience yet has got to be filming my latest music video, We spent a good 3 weeks planning it, meetings with the director, finding the perfect location, rehearsing the dance routine, there was such a great feeling of team spirit, and when the day arrived I was buzzing! What would you like your fans/audience to know about you?

Ashea: I am an artist that is very involved with everything to do with my music. Production, image, video etc….It’s vital to me that you guys get to hear and see everything just as I envisioned it, so I go the extra mile to make sure. Tell us about your live gigs. What is it like to see you perform in the flesh?

Ashea: We are now making preparations for a tour in the UK, so watch this space for more info…..2nd single is set to drop very soon…… #cantwait

Neither can we…watch this space indeed…and follow Ashea on Twitter and Facebook in the meantime. #asheaisawesome